Burgers and snap shots

click photo to enlarge
When we were in Seville recently we came upon TGB, also known as The Good Burger, and in Spanish, La Buena Hamburguesa. What drew my attention wasn't the idea that I could have a burger from a place that positioned itself above McDonald's, Burger King and all the other fast food burger outlets, but the bold, illuminated window sign. In the dark of the evening it caught my eye because nearby it took a little effort to decipher but from across the street it was very easily read.

I'm not a patron of the mainstream burger bars. In fact, I don't frequent the upmarket competitors either, though I have had, over the years, a couple of what in London are often called "gourmet burgers"! However, I do enjoy, now and then, a burger of my wife's making. It's what I consider to be a good burger because it comprises good quality beef and tasty, nutritious bread buns that my wife has made. The meat and the bread are the essence of any good burger, and if the former is well cooked and any garnish is sufficient to complement the essentials without overpowering them, then I am usually going to be happy with the offering. I see that this particular Spanish chain prides itself on quality ingredients and their preparation. And I can see how that would appeal to some Spanish people and some visitors. But not this one: for me being in Seville involves sampling Spanish food, particularly the tapas of that city, not a food that is now an international offering. Though we didn't have a burger I did get from the shop a photograph that pleased me. It was a  snap shot (not a snapshot) taking quickly as a person passed by, their silhouette breaking up the words and catching outlining illumination from the shop sign lights.

photograph and text © Tony Boughen

Photo Title: The Good Burger, Seville
Camera: Sony RX100
Mode: Aperture Priority
Focal Length: 10.4mm (28mm - 35mm equiv.)
F No: f1.8
Shutter Speed: 1/200 sec
ISO:125
Exposure Compensation: -0.3EV

Arcade lights

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On our recent visit to the seaside resort of Skegness in Lincolnshire I took several photographs of the "amusements" that feature on the seafront. These were mostly closed awaiting the warmer weather. But, some indoor amusements were open and displaying their signs and lights in the hope of attracting passing visitors. This line of lights, quite unremarkable in most respects, attracted my eye. Firstly for the colours - I like the deep yellow and orange against the very dark background. But also for the way the reflections give the electric lights something of the appearance of flames.

photograph and text © Tony Boughen

Photo Title: Arcade Lights, Skegness
Camera: Olympus E-M10
Mode: Aperture Priority
Focal Length: 150mm (300mm - 35mm equiv.)
F No: f5.6
Shutter Speed: 1/1000 sec
ISO:200
Exposure Compensation: -0.3 EV
Image Stabilisation: On

Pleasure, happiness and slanting light

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Many people confuse pleasure and happiness. Such confusion is quite understandable when you appreciate that we are constantly told by advertisers and businesses that happiness can be bought, when in fact what they are offering is (usually) pleasure. What is the difference? Happiness is a deep, long-lasting experience born of meaningful activity and solid relationships: pleasure is transitory, experienced briefly, then it is gone.

Consequently it is refreshing to see the word "pleasure" used accurately, as I did at the Lincolnshire seaside resort of Skegness the other day. The children's rides - roller coasters, big wheel etc - are part of what is known as the Pleasure Beach. This is a place where you pay your money and experience the fun and thrill of a ride. Even though the day was bright and sunny the month of February was not one where the owners felt that punters would be tempted on to the outdoor rides and so they were all still, waiting for the end of march or April to arrive. But the big, bold, painted and illuminated signs were still proclaiming the pleasure on offer even though most of the light bulbs were unlit.

The word shown above, part of the sign "Pleasure Beach" was painted in light blue, purple and yellow with red stars. Not my favourite combination of colours but appropriate for the purpose to which they were being put. What I liked was the way the slanting sunlight was making long shadows of every part of the wall, name and stars, and particularly the light bulbs. I felt the effect would be amplified by conversion to black and white, and so it proved.

photograph and text ® Tony Boughen

Photo Title: "Pleasure", Skegness, Lincolnshire
Camera: Olympus E-M10
Mode: Aperture Priority
Focal Length: 70mm (140mm - 35mm equiv.)
F No: f7.1
Shutter Speed: 1/640 sec
ISO:200
Exposure Compensation: -0.3 EV
Image Stabilisation: On

Canary Wharf at night

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This isn't the first night time photograph I've taken of the financial district of London called Canary Wharf. And it probably won't be the last. However, if you live in the Lincolnshire countryside, where the brightest light around is probably a security light on the side of a farm, then the opportunity to photograph night views with plenty of lights is one not to be missed.

There was a time when I used a tripod quite regularly, particularly when I photographed more interior church architecture than I do now. These days I reserve that kind of camera support for macro photography. I've always thought one of the best developments in camera technology in recent years has been image stabilisation (or vibration control or whatever term your manufacturer uses). A close second has been the improvement in the high ISO abilities of sensors. Put those two together and the tripod is no longer quite the necessity that it was. Even a pocket camera with a relatively small 1 inch sensor like the Sony RX100 is capable of producing pretty good images after the last light of the day has disappeared.

I had the ISO on Auto for today's shot and it chose ISO 5000 to keep the shutter speed up to 1/60 second, a necessarily high speed given the focal length was 56mm (35mm equivalent). Nonetheless, old habits die hard and I rested the camera on a handy lifebelt point for my photograph and I braced it firmly. The result is a shot that I wouldn't have thought of taking this way with this kind of camera only five years ago, and it's one that is, I think, technically pretty good.

photograph and text © Tony Boughen

Camera: Sony RX100
Mode: Aperture Priority
Focal Length: 20.6mm (56mm - 35mm equiv.)
F No: f3.5
Shutter Speed: 1/60 sec
ISO:5000
Exposure Compensation: -0.3 EV
Image Stabilisation: On