Photographing the horizon

click photo to enlarge
I grew up in a valley on one side of which were, nearby, high, rugged hills and on the other lower hills with a more distant prospect. As a child I called the very tops of the higher side of the valley the "skyline" and summits of the most distant part of lower hills the "horizon". Nobody told me to make this kind of distinction - it simply seemed natural that the skyline was near and clearly above you whereas the horizon was the distant point where earth and sky appear to meet. I still feel that is a reasonable viewpoint.

Perhaps it was growing up in a valley that gave me an interest in the horizon - observing its peculiarities, noting how it changed as I moved, wondering what was beyond it. Quite a few of my photographs feature the horizon (or skyline) and in some, as is the case with today's photograph, most of the detail is clustered there. What I like about scenes and photographs like this one is the way that man's massive achievements - cooling towers, cranes, chimneys, ferries become as nothing when seen against a great river and the vastness of the sky.

photograph and text © Tony Boughen

Photo Title: River Humber Seen From Hull Pier
Camera: Olympus E-M10
Mode: Aperture Priority
Focal Length: 42mm (84mm - 35mm equiv.)
F No: f8
Shutter Speed: 1/320 sec
ISO:200
Exposure Compensation: 0 EV
Image Stabilisation: On

A River Humber skyline

click photo to enlarge
In the 1970s I moved from a relatively small settlement in the upland area of the Yorkshire Dales to the Yorkshire city of over a quarter of a million people called Kingston upon Hull. I was a country boy who, unlike most of my contemporaries, enjoyed living in the country, and I found, to my surprise, that I also liked living in a city. I relished the anonymity, enjoyed the visible history, and my photographic eye fed on the ever changing images that were daily before me.

Hull is a port built on a river and alongside a large estuary. It is a flat area, the nearest hills being the Yorkshire and Lincolnshire Wolds several miles away. One of the new things I discovered in my new home was that flat landscapes have beautiful and impressive skies that are ever changing and that make a fine substitute for hills. I also realised that just like hills and mountains, big skies have the capacity to make man, his works and habitations seem insignificant.

On a recent visit to Hull I was reminded of this when I took today's photograph. I was standing on the pier of the long-gone Humber ferry that juts out into the River Humber. Looking over the water downstream I could see on the skyline the ships, cranes, chimneys, cooling towers etc of the city's port and petrochemical site silhouetted against a sliver of pale yellow sky below dark, brooding clouds. Having walked and cycled near these industrial structures I was aware of their imposing size yet here, in this context they looked quite insignificant.

photograph and text © Tony Boughen

Camera: Nikon D5300
Mode: Aperture Priority
Focal Length: 75mm (112mm - 35mm equiv.)
F No: f7.1 Shutter Speed: 1/125 sec
ISO:110
Exposure Compensation: -0.33 EV
Image Stabilisation: On

Using the horizon

click photo to enlarge
I grew up in an area of hills, mountains and valleys in North Yorkshire. I currently live in a flat area of Lincolnshire. (Note to UK residents who have never been to Lincolnshire - contrary to popular belief much of the county isn't flat!) One of the things you find when you're making landscape photographs in an area of flat land is the importance of the horizon.

In recent weeks I've taken a few photographs that have used the device of a ragged horizon punctuated by a church spire, specifically those of Sutterton, Helpringham and Donington. In the case of Sutterton the main subject is supported by the details of the incoming clouds. The horizon in the Helpringham shot is helped by the colour gradations in the sky and the detail that is still discernible in the foreground fields. In the Donington photograph the foreground offers little interest, but the soft pink/orange of the sky prevents the image being too monochrome, and gives a little warmth. Those three images emphasise something else that you learn photographing flat landscapes: a good sky and finding foreground interest is really important. In hilly areas you can shoot upwards, downwards and across, and can often change your height relative to your subject to give emphasis or to create a composition. In the flatlands you are usually shooting across, and generally raise or lower your camera only to increase the relative importance of sky or foreground.

I was thinking about this the other day when I took another "horizon" shot, also featuring the church of St Mary and the Holy Rood at Donington. Remembering my previous early evening shot I looked for a different composition. The sky wasn't offering much so I positioned myself behind some snow-swept reeds that offered foreground interest. I took a couple of photographs. The first had the church in focus. However, I preferred my second attempt (above) with the reeds in focus and the church out of focus.

photograph & text (c) T. Boughen

Camera: Olympus E510
Mode: Aperture Priority
Focal Length: 110mm (220mm/35mm equiv.)
F No: f6.3
Shutter Speed: 1/1250
ISO: 100
Exposure Compensation: 0 EV
Image Stabilisation: On