Go ask Alice

click photo to enlarge
"Go ask Alice, when she's ten feet tall", From the song "White Rabbit" (written by Grace Slick) sung by Jefferson Airplane, 1967

It's difficult to "go ask Alice" today because Alice, like Maude, Vera, Sybil and Winifred are hard to come by, being names that have dropped out of fashion. In the mid-twentieth century such names belonged to mothers and grandmothers and were seen as old-fashioned. A group of new names took their place, and once they became common-place they too dropped out of use and along came yet more new names. But, in the later waves some of the older names began to be recycled and Sarah, Rose, Victoria, Daisy, Olivia and Lily, to name but a few, made a re-appearance. But not Alice, Maude, Vera, Sybil and Winifred - well at least not in the lists of popular UK girls' names that I have scrutinised.

Today's photograph shows an artwork by Cristina Lucas. Like the quotation above it draws its inspiration from Lewis Caroll's "Alice in Wonderland", more particularly the episode in which Alice eats the cake marked "eat me" with the result that she grows to the point where she can't fit in the room and puts her arm out of the window. The location of this piece is the former Carthusian monastery sometimes called La Cartuja, in Seville, a place where Christopher Columbus once lived. The monastery has an interesting history. After it ceased its religious function it was bought in 1839 by a Liverpudlian businessman, Charles Pickman, who set up a large tile-making works there. Some time after the business ceased producing tiles in 1984 it became a museum of contemporary art - hence Alice. The smaller photograph shows the archway in the main photograph from the outside of the building. Its current status relating to art explains the blue objects in the water and the stainless steel, cylindrical "bus shelter".

photograph and text © Tony Boughen

Photo Title: "Alice", La Cartuja, Seville
Camera: Olympus E-M10
Mode: Aperture Priority
Focal Length: 20mm (40mm - 35mm equiv.)
F No: f8
Shutter Speed: 1/800 sec
ISO:200
Exposure Compensation: -0.3 EV
Image Stabilisation: On

Transport choices

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Cities are getting better at offering transport choices to people. After decades in which the car pushed other forms of transport aside, except in very major or capital cities, the gridlock that their success achieved has led to planners and citizens providing and demanding alternatives. Seville, from what I have, is making good progress in this area.Cycle paths are at the edge of many major roads, a self-service bike-sharing cycle scheme is in operation and well used. Moreover, trams have made an appearance in recent years. Buses are plentiful and inexpensive. Motor scooters are widely used and the car is common, though the old part of the city isn't suitable for them - too many narrow roads with sharp turns. Interestingly a wide variety of Segways, hoverboards, electric scooters and roller blades can be seen, not surprising, I suppose, in a flat city.

Today's photograph was one of a few I gathered when shooting into the early morning sun. I chose this one to post because of the transport options it features - tram, shared cycle and roller blades. Whenever you take shots contre jour, particularly if the sun's disc is in the frame, you are never quite in full control. Blown highlights and, especially if you are using a zoom lens, flare can be expected. This shot has those features, but I quite like it nonetheless.

photograph and text © Tony Boughen

Photo Title: Transport Choices, Seville
Camera: Olympus E-M10
Mode: Aperture Priority
Focal Length: 14mm (28mm - 35mm equiv.)
F No: f6.3
Shutter Speed: 1/1250 sec
ISO:200
Exposure Compensation: -0.3 EV
Image Stabilisation: On

Not worth a glance?

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As we sat in the centre of Seville a guide passed us followed by a small flock of tourists. Gesticulating at the building behind us he explained in English with a Spanish accent, and without breaking step, that it contained only "documents, documents, documents", implying that it wasn't worth a glance. What he was airily dismissing as they pressed on to the next highlight of their tour was in fact one of the three buildings in Seville that have been granted UNESCO World Heritage status (along with the cathedral and the Real Alcazar). It was the Archivo General de Indias, a former merchant exchange dating back to the 1580s that has, since the eighteenth century, housed the archives of the Spanish Empire's discoveries and involvement in the Americas and the Philippines.

Admittedly, the building's exterior is somewhat severe with main elevations that differ in only minor ways. However, the interior has a fine courtyard, imposing main staircase and rooms and corridors with fine marble floors, coffered barrel vaulted ceilings, sumptuous bookcases and interesting paintings. Well worth seeing and a subject that I thought cried out for the widest of my wide angle lenses.

photograph and text © Tony Boughen

Photo Title: Archivo General de Indias, Seville
Camera: Olympus E-M10
Mode: Aperture Priority
Focal Length: 9mm (18mm - 35mm equiv.)
F No: f5.6
Shutter Speed: 1/60 sec
ISO:1250
Exposure Compensation: -0.3EV

Imperfect nature

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Yesterday The Guardian newspaper carried an article about some Spanish property developments. These gated communities, constructed around Jack Nicklaus designed golf courses, feature identikit white painted, tiled-roofed, balconied "villas" set among impossibly green manicured lawns, lollipop trees and blue lakes. The photographs that accompany the article look like computer-generated images, so "perfect" are these homes for British expats who fancy a life of sun and golf. Apparently there is some concern over whether they will all sell, due to a market slump. However, that aspect of the report didn't interest me. I was just morbidly fascinated by the pictures.

Why would anyone want to live in a such a soulless place, a haven for the rich set in an area of relative poverty, a community with no history that looks like Toy Town? But then I reflected, perfection, an unattainable goal, seems to be the aim of many people today. Advertisers and T.V. programmes urge us to aspire to the perfect house in the perfect location filled with perfect consumer durables, taking "dream" holidays in "idyllic" locations. Maybe these developments in Spain give you all that for one big dollop of cash, and you can rest content that you've attained your perfect dream. Or is it a nightmare?

Today I picked this Cornflower (Centaurea montana) from my garden. It was one of many blooms on the plant, all of them radiating their distinctive petals. There is a pleasing flawed perfection about these flower heads. They could have perfect symmetry, but the tips of the petals refuse to co-operate and twist in all directions. It's a quality I like about the plant. However, picking up my theme for the day I decided to present this flawed flower against a background that strived for perfection! I laboured long and hard with the shadows, the shading and the colours. I'm unsure whether or not I like the finished image - it's a bit Mothers' Day cardish. But, since it's quite different from my usual flower shots I'm posting it anyway!

photograph & text (c) T. Boughen

Camera: Olympus E510
Mode: Aperture Priority
Focal Length: 35mm macro (70mm/35mm equiv.)
F No: f8
Shutter Speed: 1/80
ISO: 100
Exposure Compensation: 0 EV
Image Stabilisation: Off
Flash: FL36 bounced