click photo to enlarge
In 1988 the Halifax Building Society concluded from a study of its computer database of 15 million investors that the most common house name in Britain was "The Bungalow" with 4,485 properties carrying this very boring designation. In second place was the equally uninspiring, "The Cottage", with 4,049 references, and third was the slightly more colourful, "Rose Cottage", with 2,936 properties given that name.
Tradition weighs heavy in the name that houses are given, and once given they tend to linger. I have the complete list of the 150 or so most frequently used names, and I have to say that I must have seen most of them at one time or another and none are surprising. Such names tend to be descriptive in one way or another. "The School House" is fourth in the list and always refers to a house that was formerly the abode of a teacher or headteacher when such jobs came with living accommodation."The Vicarage" (in 12th place) is a name that arose in similar circumstances though that name usually implies that the local cleric still uses it as his (or her) home, with "The Old Vicarage" usually indicating a former vicar's residence, often sold because it was too large and too expensive for the church to maintain. Trees abound in house names - "The Hawthorns", "Oak Dene", "Beech House", "Conifers" and "Holly Cottage" are just a few arboreal names found in the list. The building's location is another favoured hook on which to hang a name - "Windy Ridge", "Brookfield", "The Mount", "Fair View" and "Corner Cottage" are examples.
Today's photograph could well be from a "Rose Cottage" because properties with that name frequently feature a climbing rose near the main entrance, around a window or on a sunny wall. However, it is a second photograph from my visit to Lower Brockhampton Manor House in Herefordshire. You can see the rose on the left of the main building in my photograph of the other day.
photograph and text © Tony Boughen
Camera: Olympus E-M10
Mode: Aperture Priority
Focal Length: 30mm (60mm - 35mm equiv.)
F No: f5.6
Shutter Speed: 1/80 sec
ISO:200
Exposure Compensation: -0.33 EV
Image Stabilisation: On
Showing posts with label Lower Brockhampton. Show all posts
Showing posts with label Lower Brockhampton. Show all posts
Thursday, June 25, 2015
Tuesday, June 16, 2015
Photographic and architectural contrasts
click photo to enlarge
It would be hard to find a greater architectural and photographic contrast than is exhibited in the last post and that of today. A large, angular, urban, twenty-first century health centre made of concrete and steel is just about as distant as you can get from a late 1300s, timber-framed, rural manor house with a later fifteenth century gatehouse and moat.
The photographic treatment adds to the contrast. Black and white, I think, suits the modern building. However, when I idly looked at a monochrome version of the shot above it simply confirmed my opinion that I had to stick with colour despite the "chocolate box" character that it gives to the subject. I recently commented on how, when you visit a place for the first and perhaps only time, you have to accept the weather and light that prevails. Here it was shortly after 10.00am on a June morning with scarcely any cloud in sight when we came upon Lower Brockhampton manor house in Herefordshire. Consequently the light was bright and sharp and the colours vibrant. This house is a subject I'd like to tackle on a slightly misty autumn morning with some brightness and cloud. Or perhaps a bright, late spring evening when clouds pick up a yellow tint from the low sun. As it was the strong white of the paint over the timber-framed walls had to be controlled by under-exposure, and a bit of post-processing was required to get the whole scene back to the brightness levels that my eye saw.
photograph and text © Tony Boughen
Camera: Olympus E-M10
Mode: Aperture Priority
Focal Length: 9mm (18mm - 35mm equiv.)
F No: f5.6 Shutter Speed: 1/1600 sec
ISO:200
Exposure Compensation: -0.33 EV
Image Stabilisation: On
It would be hard to find a greater architectural and photographic contrast than is exhibited in the last post and that of today. A large, angular, urban, twenty-first century health centre made of concrete and steel is just about as distant as you can get from a late 1300s, timber-framed, rural manor house with a later fifteenth century gatehouse and moat.
The photographic treatment adds to the contrast. Black and white, I think, suits the modern building. However, when I idly looked at a monochrome version of the shot above it simply confirmed my opinion that I had to stick with colour despite the "chocolate box" character that it gives to the subject. I recently commented on how, when you visit a place for the first and perhaps only time, you have to accept the weather and light that prevails. Here it was shortly after 10.00am on a June morning with scarcely any cloud in sight when we came upon Lower Brockhampton manor house in Herefordshire. Consequently the light was bright and sharp and the colours vibrant. This house is a subject I'd like to tackle on a slightly misty autumn morning with some brightness and cloud. Or perhaps a bright, late spring evening when clouds pick up a yellow tint from the low sun. As it was the strong white of the paint over the timber-framed walls had to be controlled by under-exposure, and a bit of post-processing was required to get the whole scene back to the brightness levels that my eye saw.
photograph and text © Tony Boughen
Camera: Olympus E-M10
Mode: Aperture Priority
Focal Length: 9mm (18mm - 35mm equiv.)
F No: f5.6 Shutter Speed: 1/1600 sec
ISO:200
Exposure Compensation: -0.33 EV
Image Stabilisation: On
Labels:
half-timbered,
Herefordshire,
Lower Brockhampton,
manor house,
medieval,
moat,
timber-framed
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