The painterly effect that such a reflection produces can be very satisfying. The broken image, impressionistically rendered, with strokes that suggest the marks of a watercolour brush on wet paper have a pleasing quality. A few examples from my previous posts include this railway bridge , this fence, and this stormy sky behind sharply captured, newly emerged, water lily leaves.
My most recent foray into this area is shown above. It was taken from a bridge over the River Welland in Spalding, Lincolnshire, though it could be anywhere. The brief appearance of the sun through a small hole in an angry sky prompted the shot. I was looking for an image that drew its strength from the bright point in a tonally differentiated, but largely monochrome and fractured surface. Circular ripples made by either rising bubbles or fish kept appearing at unforeseeable points and intervals, so I waited for a few and included those too. Not a shot that will appeal to many I suppose, but it pleases me, and that's what matters!!
photograph & text (c) T. Boughen
Camera: Olympus E510
Mode: Aperture Priority
Focal Length: 36mm (72mm/35mm equiv.)
F No: f7.1
Shutter Speed: 1/640
ISO: 100
Exposure Compensation: -1.3 EV
Image Stabilisation: On