Six sails at Sibsey

click photo to enlarge
The other day, when speaking about the eight sailed Heckington windmill, I mentioned the 6-sailer that is Sibsey Trader Mill. I suggested that six sails is less visually satisfying than four or five but better than eight. On our recent visit to Skegness we came home via Sibsey and stopped in at the mill for a cup of tea. And in so doing, I took the opportunity to check whether another viewing would confirm my judgement. It did.

Now that's not to say that there isn't plenty of interest in a windmill, regardless of the number of its sails: there clearly is, both outside and inside. On this particular occasion my photographs of the windmill in its setting were less than satisfactory due to the blank blue sky and the scatter of colourful cars parked at the base of the mill. However, I took a few detail photographs and here are a couple. The shot of the sails, cap and fantail is one that I often take when I visit a windmill. It shows off the intricate woodwork and metal work and fills the frame nicely. The other shot was one that I noticed when we climbed up and down the ladders that connect the several floors. It brought together, so I thought, two themes that I often return to in my photography - window views and shadows. Incidentally I extend my apologies for the tongue-twister title of this post.

photograph and text © Tony Boughen

Photo 1
Camera: Nikon D5300
Mode: Aperture Priority
Focal Length: 66mm (99mm - 35mm equiv.)
F No: f8
Shutter Speed: 1/160 sec
ISO:100
Exposure Compensation: -0.33 EV
Image Stabilisation: On

Old windmill, new sails

click photo to enlarge

I hadn't anticipated dull and dreary skies when we decided we'd visit Moulton windmill to see its new sails. After all, the forecast was for sunshine and showers. But, as we sat and ate our lunch and heavy drops of rain started to fall I began to fear the worst. Even as we journeyed the few short miles to the mill, the tallest in England, I retained a lingering hope that a patch of clear, or at least interesting sky would coincide with our time there. And it did. Unfortunately it was when we were inside the mill having a guided tour! Consequently the shots of the exterior that I'd hoped for didn't materialise, and the photograph above, taken from the external fourth floor reefing gallery (balcony), is the only one that I took of the new sails that is worth reproducing. However, I did get a photograph of Moulton church from the same balcony, and I include a photograph of the mill's stones that I took on a previous visit.

The original sails of Moulton windmill were removed after they were damaged in a gale in 1894, a severe "blow" that inflicted injury on a number of Lincolnshire mills. In subsequent years the millstones were powered by steam, diesel, then electricity, before milling finally ended in 1995. The charitable trust that acquired the mill set themselves the task of restoring it to the point where it could begin wind-powered milling again as a tourist attraction The most important step on that journey was accomplished on 21st November 2011 when new sails were fitted. The next step will be taken on 29th April 2012 when, wind permitting, the sails will be allowed to turn. Then, on 5th May 2012 (also wind permitting) milling will be undertaken. The resulting bags of flour are to be sold to visitors and local businesses.

Over the years I've looked at a number of windmills, read a few books on the subject, and increased my understanding of these buildings/machines. However, on my recent visit to Moulton I clarified a point that I was unclear about concerning millstones. I've seen many circular millstones that are made of a single piece of stone, and many that are made with a number of interlocking pieces of stone that are held together with iron bands around the rim. Why the difference? Apparently most of the single stones are older, Derbyshire gritstone examples. The pieced millstones are made of French stone that originally came into the country as ballast in ships. The latter could be assembled very quickly whilst the former had to be ordered years in advance and cut out of the outcrops on the Derbyshire moors. Clearly the assembled stones were cheaper, could be ordered nearer to the time they were required, and were as good if not better than the locally sourced stones. Moulton has examples of both kinds.

photograph and text (c) T. Boughen

Photo 1
Camera: Canon
Mode: Aperture Priority
Focal Length: 24mm
 F No: f7.1
Shutter Speed: 1/500 sec
ISO: 100
Exposure Compensation:  -0.67 EV
Image Stabilisation: On

Thaxted windmill

click photo to enlarge
There was a time when it seemed that windmills would all but disappear from Britain, perhaps remembered only by a few restored, museum-like examples or those that were turned into desirable country dwellings. A few struggled on as working buildings into the 1950s, but their time had long passed, new methods of milling superseding the old ways. Being tall structures, erected in exposed positions where they would catch the wind, many soon fell into disrepair once regular maintenance ceased. Gales removed sails, fantails and roofs. Penetrating rain and frost did the rest of the damage, and many were reduced to sad, beheaded stumps. But, as is often the way, just as it seemed that windmills were on their way out people started to realise what was happening, to mourn what was being lost, and in localities up and down the country individuals, groups of civic-minded people and enthusiasts turned their attention to restoring these fascinating relics that are half building, half machine. Today they are a reasonably common sight in central, eastern and southern England, and quite a few have been restored to working condition.

The example shown in today's photograph is at Thaxted in Essex. It is a red brick, tower mill that was built for John Webb in 1804. He was a local landowner and innkeeper whose brickworks supplied the bricks for the building. It stands in a commanding position in a field by the edge of the small town, one of two beacons, with the medieval church, that are immediately visible to the visitor as he approaches this ancient and attractive settlement. Thaxted's mill was one of those that fell into disrepair in the mid-twentieth century. But, in 1972 the process of restoration began, and today it is fully restored with machinery inside, and is open to the public.

My photograph has been converted to black and white with the digital version of a red filter to darken the sky, emphasise the clouds and vapour trails, and make the lighter building stand out more strongly from its background.

photograph & text (c) T. Boughen

Camera: Olympus E510
Mode: Aperture Priority
Focal Length: 25mm (50mm/35mm equiv.)
F No: f7.1
Shutter Speed: 1/1000
ISO: 100
Exposure Compensation: -0.3 EV
Image Stabilisation: On

Heckington eight-sail windmill

click photo to enlarge
Three types of traditional windmill are to be found in England. The oldest is the post-mill, a relatively light-weight, mainly wooden structure with no fan-tail, that is turned into the wind with a tiller beam. One at Outwood, Surrey, dates from 1665, though many examples no longer standing were built before that date. Next comes the smock mill, so called because its tapered, boarded, octagonal tower resembles a nineteenth century countryman's smock. That at Lacey Green, was built in 1650. The final development was the tower mill, and this is the type most commonly seen today.

Tower mills were developed in the eighteenth century and have a round or octagonal brick or stone tower similar to a lighthouse. The wooden top revolved so that the sails always pointed into the wind. This was achieved by another eighteenth century development - the fantail - that worked much like the broad end of a weather vane, but had the added advantage of small blades that could be used to power a hoist. The movement of the main sails was transmitted to millstones through a series of shafts and cogs. In 1919 there were 350 working windmills: today there are about 24, though many more stand with motionless sails and silent machinery, or have been converted into houses. An even greater number of sail-less towers can be seen.

Today's photographs show the tower mill at Heckington, Lincolnshire. It was built in 1830 as a five-sailed windmill driving three pairs of stones, and milled grain for 60 years until the cap and sails were destroyed by wind in 1890. However, in 1891 an enterprising man bought the eight-sailed top of the defunct Tuxford windmill and matched it up with the remaining stump at Heckington. He set the mill to work again and it continued until 1946, also powering a circular saw-mill! Since that time it has seen restoration by enthusiasts, and in recent years has been open to the public.

You might wonder why my images don't show the full splendour of those eight sails. Well, the fact is that behind the windmill (to windward) is a an absolute eye-sore of stored bales of plastic and cloth, gas cylinders, derelict buildings and parked lorries. Not the most photogenic foreground for this venerable and unique structure!

photograph and text (c) T. Boughen

Top Image
Camera: Olympus E510
Mode: Aperture Priority
Focal Length: 22mm (44mm/35mm equiv.)
F No: f8
Shutter Speed: 1/250
ISO: 100
Exposure Compensation: -0.3 EV
Image Stabilisation: On

Bottom Image
Camera: Olympus E510
Mode: Aperture Priority
Focal Length: 14mm (28mm/35mm equiv.)
F No: f7.1
Shutter Speed: 1/400
ISO: 100
Exposure Compensation: -0.3 EV
Image Stabilisation: On