Waterside colour

click photo to enlarge
The trees and bushes of town and country are full of colour at the moment as autumn's progress wreaks its toll on deciduous leaves. In my garden the cherry trees and the silver birches show the brightest hues; orange/red and yellow respectively, and their leaves daily pile up on the lawns and gravel, inviting us to gather them up with rake and barrow.

On my recent trip into Spalding, during a stroll round Springfields Gardens, I came across a fine reflection in the stream that was duplicating the strong colours of the waterside shrubs. The yellow and green looked natural enough, the sort of tints that can be seen everywhere. However, the pink/purple leaves were obviously not a native species, and they gave this corner of the garden a slightly exotic feel. As far as I could see it was a variety of dogwood (Cornus), a shrub grown as much for the winter colour of its stems as for the beauty of its leaves.

Reflections in water are a recurring theme in my photography. I like the element of confusion that the doppelganger introduces and the hint of abstraction that comes from a subject that has no very obvious main subject. In fact, the reliance on colour and texture often gives such images a painterly quality - another reason I favour them. If you like the photograph above you might also like these earlier examples involving water and reflections: willow branches, trees with cherry blossom, reeds and a fence.

photograph and text © Tony Boughen

Camera: Canon
Mode: Aperture Priority
Focal Length: 92mm
F No: f7.1
Shutter Speed: 1/500
ISO: 125
Exposure Compensation:  -0.33 EV
Image Stabilisation: On

Watery Lane, Settle

click photo to enlarge
Today's photograph was taken only a couple of minutes later and a few yards on from where I took yesterday's shot. The two trees on the left can be seen in both images. Here though the view is more to the south and brings into sight the stream that enters the lane from the field behind the drystone wall. The path bridges the stream and continues alongside it. It can be seen as a thin, worn strip through the grass, shining wet with the rain, that recedes into the distance.

If you look at the 1:25000 Ordnance Survey map this lane is shown as part of Brockhole Lane and it links to a lane/path that carries the same name which veers off left and uphill towards Lodge Gill. However, the lane before us actually carries on past Fish Copy Barn to Lodge Lane, and that section is un-named on the maps (even on the old 6 inch map). In fact, in the locality, this part of the lane and the section that stretches to Lodge Lane is seen as one and the same and is known as Watery Lane. Perhaps one day the official maps will reflect this. It is well-named, because in all but the driest of summers water flows along it, and can make the route, in parts, almost impassable. As a child I often sought out the section of stream in the photograph though usually when it was calmer and only a few inches deep. It was here, after reading "The Water Babies" by Charles Kingsley, a very odd book, part of which is set in a limestone stream of the Yorkshire Dales, that I first saw a caddis fly larva in its strange case made of gravel and twigs.

On this day when we walked along Watery Lane it would have been no pleasure to delve into the depths in search of wildlife. It did, however, prove to be a good test of the waterproofing of our boots and, I'm pleased to say, they passed with flying colours.

photograph and text © Tony Boughen

Camera: Canon
Mode: Aperture Priority
Focal Length: 24mm
F No: f7.1
Shutter Speed: 1/500
ISO: 100
Exposure Compensation:  -0.33 EV
Image Stabilisation: On

Eau, the confusion

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"A little learning is a dangerous thing;
Drink deep, or taste not the Pierian spring."
Alexander Pope (1688-1744), English poet

A few years ago I read some research indicating that the further you go with formal learning the unhappier you are likely to become. Learning, the authors suggested, was characterised by an upward payback curve that stopped after a first degree and thereafter went downwards. If this is true then Pope's observation isn't entirely accurate - at least as far as happiness goes.

One could argue that it isn't true anyway because a little learning - if it is presented to the student well - is a catalyst for further self-directed learning that continues throughout life, and far from being dangerous, is life enhancing. The problem is that much education doesn't achieve this goal. It used to be a characteristic of English primary education. However, the introduction of the dead hand of the National Curriculum and the utilitarian and market demands placed on the already moribund secondary and higher education put paid to that.

Pope's famous lines and education in general came to mind when I looked at my semi-abstract photograph of Bourne Eau, a stream that runs through the town of Bourne in Lincolnshire. The word "Eau" is, today, usually pronounced like the French word for water that has the same spelling. However, this is, in the words of "A Dictionary of Lincolnshire Place-Names", "a spurious Frenchified form" of "ea" (prononounced as in "bead"), a word deriving from the Old English for a river or stream that was variously written as ea, eay, ei, ee etc. The spelling "eau" and the current pronunciation has come into use, presumably, due to the "little learning" of French in English schools that has been common for seventy or so years. The old, original pronunciation clings on in some parts of the county and with some older speakers. One wonders for how long.

It's often said that a successful photograph immediately indicates its subject to the viewer. However, this aphorism, like all such sayings, is subject to exceptions. Confusion can be an appealing quality in a photograph, with the subject not immediately apparent, and the component parts of the image requiring study for the viewer to make sense of what is seen. It was those features that I noticed in this watery scene.

photograph and text © Tony Boughen

Camera: Canon
Mode: Aperture Priority
Focal Length: 105mm
F No: f8
Shutter Speed: 1/100 sec
ISO: 640
Exposure Compensation:  -0.33 EV
Image Stabilisation: On