Scaffolding

click photo to enlarge
The first photograph I ever took of scaffolding is probably the best I've taken of this subject. It appears on PhotoQuoto, a minimalist blog that I started when paid work got a bit too hectic for the fuller posts of PhotoReflect. It shows workmen maintaining a roller-coaster ride in the Lancashire resort of Blackpool.

Ever since that time I've looked out for more examples of this subject and you might wonder why. The fact is, I like the way that the apparently haphazard (though actually carefully and rationally constructed) tracery of steelwork transforms a building. I particularly like it when the complication of lines is doubled by shadows produced by the sun - it sometimes looks like angular scribble laid across the building's surface.

The example in today's photograph shows scaffolding on the main elevation of the old Court House in Horncastle, Lincolnshire. This building has, for many years, been used as offices for various local authority organisations. I read recently that it was scheduled to be turned into flats and perhaps that is the reason for the scaffolding in my photograph. It's good that this prominent building built in 1865 by C. Reeves in the Italianate style, will continue to serve the town.

I converted the colour photograph to black and white and increased the contrast to emphasise the lines of the both the scaffolding and the building.

photograph and text © Tony Boughen

Camera: Olympus E-M10
Mode: Aperture Priority
Focal Length: 18mm (36mm - 35mm equiv.)
F No: f5.6
Shutter Speed: 1/1250 sec
ISO:200
Exposure Compensation: 0
Image Stabilisation: On

Repairing Grantham church's spire

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On a recent visit to Grantham we went to see the parish church of St Wulfram where renovation work is being undertaken on its marvellous spire that sits on top of its beautiful tower. It is 282 feet from the ground to the tip of the octagonal stone needle, not the tallest such structure in the land, but by common consent, one of the best.When the finest parish church spires are being considered the Lincolnshire trio of Louth, Grantham and Brant Broughton are rarely absent, along with Nottinghamshire's Newark.

This spire dates from the medieval period. However, like most spires, it has undergone repairs on a number of occasions since it was first built. The inescapable fact is that every church spire is open to the full force of the weather. Wind, cold, heat and rain all take their toll of the stonework. In the case of St Wulfram's major rebuilding and restoration occurred in 1664, 1797, 1883 and 1945-7. It is now happening again. I read that the use of cast iron in the repairs of 1797 is one of the reasons that work needs doing now. Iron rusts and where it isn't separated from the stone by molten lead it can easily damage the stonework. £600,000 is being spent to take off the top 40 feet of the tower and repair it. That isn't going to be a quick job.

On our visit I looked up at the steel scaffolding on the west face of the tower and encasing the spire, at the nylon ropes, clamps, wooden planks and steel cables, aluminium ladders and reflected for a few moments. I'd recently read Ken Follett's "World Without End", a story about the fictitious town of Kingsbridge during the period of the Black Death. One of the main characters is engaged in building a tower and spire on a priory church, and the description of his labours on this task came back to me. As I looked at the scaffolding above I imagined all the metal replaced by wood, the nylon by hemp and further reflected that the means of working on such a structure today isn't too far removed from the methods of six or seven hundred years ago.

Incidentally, if you enlarge and look at the smaller photograph you'll see, on the left, the Beehive pub. In the tree nearby you'll also see the working beehive that makes this pub much visited by pub enthusiasts and unique among British public houses.

photograph and text © Tony Boughen

Photo 1
Camera: Nikon D5300
Mode: Aperture Priority
Focal Length: 140mm (210mm - 35mm equiv.) - cropped
F No: f8
Shutter Speed: 1/250 sec
ISO:125
Exposure Compensation: -0.33 EV
Image Stabilisation: On

Plastic wrapping and facelifts

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What could be behind this slightly dramatic looking plastic wrapping? Is it a modern office block under construction, all gleaming glass and shiny steel, a testament to opulence, affluence and the worship of money? Perhaps what is underneath is of little consequence, and it's the shrink-wrap itself that is important because it's an artwork by those artful charlatans, Christo and Jean-Claude. But no, as you've probably guessed, it's a building under renovation. But which building? Here is an official description in the dry but precise prose of English Heritage's National Monuments Record.

"BOSTON TF3243SE HIGH STREET 716-1/14/63 (East side) 27/05/49 Nos.118A, 120 AND 122 GV II* Includes: 118A, 120 AND 112 HIGH STREET OXFORD STREET. Banker's house, now flats. c1770, added to late C18, early C19, altered late C19 and C20. Red brick in Flemish bond, slate roofs, ashlar dressings, red brick ridge and valley stacks. EXTERIOR: centre house of 3 storeys, with 5 bays, the 3 centre bays slightly advanced and pedimented. Plinth, 1st floor platt band, dentilled cornice, cartouche and rococo scrolls to pediment, balustraded parapet. Plain sashes with cambered heads and fluted keystones, arranged 2:1:2. Central 6-panel doors with radiating fanlight, panelled reveals, set in Ionic stone doorcase, pedimented with scrolled keystone and egg-and-dart surround. To left a late C18 canted bay of 2 storeys, with dentilled cornice at original height has been raised later to match the other side. Plain sash to both faces, fluted keystones, centre one with acanthus leaf scroll. 1st floor windows have been heightened, front one is blocked. To right an early C19 canted bay of 2 storeys with a single plain sash to each canted face matching the left one. 3 similar windows above. The return to Oxford Street has a 2-panel C19 door with plain overlight and pilastered doorcase with dentilled flat hood on scrolled acanthus brackets. Rear is faced in ashlar, painted, with sill bands, dentilled cornice to plain parapet, plain sashes and later inserted modern fenestration. INTERIOR: although much altered retains some full height panelling and panelled doors. HISTORY: the house was the C18 and C19 home of the Claypon family of Garfitts and Claypon Bank of Boston."

Yes, it's a large eighteenth century town house on the old High Street at Boston, Lincolnshire; one that had fallen on hard times that is currently in the process of being restored. Its status as a Grade II* listed building means it is an important structure for architectural, historical and locational reasons. When the work is completed I'll see if I can get a photograph of its new, post-facelift visage.

photograph & text (c) T. Boughen

Camera: Olympus E510
Mode: Aperture Priority
Focal Length: 40mm (80mm/35mm equiv.)
F No: f4.8
Shutter Speed: 1/1250
ISO: 100
Exposure Compensation: -0.3 EV
Image Stabilisation: On