click photo to enlarge
The chapter house at Southwell Minster in Nottinghamshire, like most such buildings, is polygonal, in this instance octagonal. A few are rectangular. What makes this particular chapter house differ from other polygonal examples is the lack of a column rising up from the centre of the floor to the centre of the vaulting above. Looking at the pattern of ribs that spring from the walls between the windows and the complexity of the ribs and bosses, one can imagine that a central column would have made the building of the roof over this beautiful space considerably easier. However, that ease would have been bought at the expense of the clarity of the view that the members of the chapter would have had of each other as they sat on the seating built into the walls: they would always have to lean to see the person opposite them!
Most photographers with an interest in architecture gravitate to Southwell's chapter house for the beauty of the naturalistic carving of the capitals of the columns. These represent identifiable leaves and plants, and were executed in the Decorated style around the year 1290. Every time I visit the Minster I photograph them. However, since I hadn't photographed the vaulting before that was what I concentrated on during my last visit.
photograph and text © Tony Boughen
Photo Title: Chapter House Vaulting, Southwell Minster, Nottinghamshire
Camera: Olympus E-M10
Mode: Aperture Priority
Focal Length: 9mm (18mm - 35mm equiv.)
F No: f5.6
Shutter Speed: 1/60 sec
ISO:000
Exposure Compensation: -0.3 EV
Image Stabilisation: On
Showing posts with label medieval architecture. Show all posts
Showing posts with label medieval architecture. Show all posts
Thursday, February 25, 2016
Sunday, February 07, 2016
Fan vaulting, Peterborough Cathedral
click photo to enlarge
On a recent visit to Peterborough we made a brief visit to the cathedral. I've said elsewhere in this blog that it is one of the most overlooked and least well-known of our major medieval cathedrals, a building of exceptional architecture that deserves to be much more widely recognised.
One of Peterborough's glories is the fan-vaulting of the retrochoir that is every bit as good as the more celebrated example at Gloucester. I've photographed and written about Peterborough's on more than one occasion on this blog, so I won't repeat myself here. On our recent visit the fall of the light and the visitors reminded me of the etchings and woodcuts of cathedral views popular in publications of the late eighteenth and early nineteenth centuries. These frequently show small, relatively insignificant people dwarfed by the enormous columns and arches. This effect is heightened by naves empty of seating, something that is seen only occasionally today. However, the retrochoir is usually seat-free, and though it is a smaller space with a lower roof, the visitors here reminded me of those early illustrations. It took a few shots, a few changes of position and a wait for people to populate the scene before I got the image I wanted.
photograph and text © Tony Boughen
Photo Title: Fan Vaulting, Peterborough Cathedral
Camera: Olympus E-M10
Mode: Aperture Priority
Focal Length: 9mm (18mm - 35mm equiv.)
F No: f5.6
Shutter Speed: 1/80 sec
ISO:500
Exposure Compensation: -0.3 EV
Image Stabilisation: On
On a recent visit to Peterborough we made a brief visit to the cathedral. I've said elsewhere in this blog that it is one of the most overlooked and least well-known of our major medieval cathedrals, a building of exceptional architecture that deserves to be much more widely recognised.
One of Peterborough's glories is the fan-vaulting of the retrochoir that is every bit as good as the more celebrated example at Gloucester. I've photographed and written about Peterborough's on more than one occasion on this blog, so I won't repeat myself here. On our recent visit the fall of the light and the visitors reminded me of the etchings and woodcuts of cathedral views popular in publications of the late eighteenth and early nineteenth centuries. These frequently show small, relatively insignificant people dwarfed by the enormous columns and arches. This effect is heightened by naves empty of seating, something that is seen only occasionally today. However, the retrochoir is usually seat-free, and though it is a smaller space with a lower roof, the visitors here reminded me of those early illustrations. It took a few shots, a few changes of position and a wait for people to populate the scene before I got the image I wanted.
photograph and text © Tony Boughen
Photo Title: Fan Vaulting, Peterborough Cathedral
Camera: Olympus E-M10
Mode: Aperture Priority
Focal Length: 9mm (18mm - 35mm equiv.)
F No: f5.6
Shutter Speed: 1/80 sec
ISO:500
Exposure Compensation: -0.3 EV
Image Stabilisation: On
Sunday, January 10, 2016
A humble Hampton Court
click photo to enlarge
Humble isn't a word that is usually found in the same sentence as Hampton Court. The reason being that most people immediately think of the royal palace of that name in Richmond, London. This was originally the property of the Order of St John of Jerusalem, was restored by Thomas Cromwell in the early 1500s, and was seized and enlarged by Henry VIII in 1529. Its early ornate brickwork and later extensions by Sir Christopher Wren are ostentatious to be sure, but not humble. Nor can Hampton Court in Herefordshire be so described. It started life as manor house in 1427 but today is a castellated country house, the result of work done in the mid-C19 to make it grander and more comfortable. Today it is well-known for its gardens that are open to the public.
However, when I look through the timber-framed archway of Hampton Court on Nelson Street in King's Lynn, the word humble seems quite appropriate, and not just because of the comparison with its two namesakes. Though parts of it were once owned by relatively wealthy people it has been extended and re-built over the years, and has usually been the home for multiple families. It is today subdivided into 15 flats. My earlier photograph is accompanied by a piece that tells something of its history.
When I came to take the mouse-eye view photograph above I decided not to do the obvious and focus on either the buildings or the nearest cobbles. Instead I set the aperture to f1.8 and focused a metre or so away leaving near and far out of focus.
photograph and text © Tony Boughen
Photo Title: Hampton Court, King's Lynn, Norfolk
Camera: Olympus E-M10
Mode: Aperture Priority
Focal Length: 17mm (34mm - 35mm equiv.)
F No: f1.8
Shutter Speed: 1/1600 sec
ISO:200
Exposure Compensation: -0.3 EV
Image Stabilisation: On
Humble isn't a word that is usually found in the same sentence as Hampton Court. The reason being that most people immediately think of the royal palace of that name in Richmond, London. This was originally the property of the Order of St John of Jerusalem, was restored by Thomas Cromwell in the early 1500s, and was seized and enlarged by Henry VIII in 1529. Its early ornate brickwork and later extensions by Sir Christopher Wren are ostentatious to be sure, but not humble. Nor can Hampton Court in Herefordshire be so described. It started life as manor house in 1427 but today is a castellated country house, the result of work done in the mid-C19 to make it grander and more comfortable. Today it is well-known for its gardens that are open to the public.
However, when I look through the timber-framed archway of Hampton Court on Nelson Street in King's Lynn, the word humble seems quite appropriate, and not just because of the comparison with its two namesakes. Though parts of it were once owned by relatively wealthy people it has been extended and re-built over the years, and has usually been the home for multiple families. It is today subdivided into 15 flats. My earlier photograph is accompanied by a piece that tells something of its history.
When I came to take the mouse-eye view photograph above I decided not to do the obvious and focus on either the buildings or the nearest cobbles. Instead I set the aperture to f1.8 and focused a metre or so away leaving near and far out of focus.
photograph and text © Tony Boughen
Photo Title: Hampton Court, King's Lynn, Norfolk
Camera: Olympus E-M10
Mode: Aperture Priority
Focal Length: 17mm (34mm - 35mm equiv.)
F No: f1.8
Shutter Speed: 1/1600 sec
ISO:200
Exposure Compensation: -0.3 EV
Image Stabilisation: On
Subscribe to:
Posts (Atom)