Market Hall, Newark

click photo to enlarge
Multi-use buildings constructed in the eighteenth century are quite common if we include those that feature living accommodation in addition to their primary purpose. If you were a baker, blacksmith, weaver, or any other tradesman or craftsman you invariably lived on the job. It was convenient for dealing with your customers and you were in a position to ensure the security of your stock and tools. However, the sort of structure that we see today, where offices, shops, hotels, even train stations or museums can find their home in a large, subdivided building, were quite unusual in the 1700s.

The grand, classically-styled town hall of Newark, Nottinghamshire, a building of 1774-6 built by the architect, John Carr of York, is an exception to this general rule. Because, at ground level, underneath the ballroom, civic rooms, robing room, offices and everything else that was required by the leaders of the community, is a market hall. For centuries market halls had been common structures in towns. In the Midlands and South they were often timber-framed, a room above and open at the bottom, the sheltered space supported by heavy wooden posts, and in the North they were frequently made of stone, sometimes with split stone tiles as a roof. The Newark example is altogether grander, featuring a space eight bays long and three bays wide with stone Doric arcades and a coffered roof. The floor is made of heavy stone "flags", and the whole gives the appearance of something made to withstand the knock-about of market life, a cool dark place suitable for displaying food, somewhere that will last.

And last it has. It is still used as a place where stalls are set up and goods sold. On the day of our visit there was only one proprietor at work. Was that a sign of people spending less or is it used more on some days than others, much like the market square outside? Whatever the reason it made taking a photograph that shows the architecture an easier task for me than it has been in the past.

photograph and text © Tony Boughen

Camera: Sony RX100
Mode: Aperture Priority
Focal Length: 10.4mm (28mm - 35mm equiv.)
F No: f7.1 Shutter
Speed: 1/30 sec
ISO:3200
Exposure Compensation: -0.7 EV
Image Stabilisation: On

Market Hall, Louth

click photo to enlarge
The nineteenth century English market hall is usually a combination of the decorative and the strictly functional. The aim is to provide an open covered space where traders can sell from stalls and people can browse their wares, safe from the vagaries of the weather. They are, like the rather grander glazed arcades, an early shopping mall, though market halls tend to cater for less expensive or fresh goods of the kind seen on open market stalls. So, the utilitarian aspect of their design usually relates to the provision of the large, covered space, and the decorative features are at their most pronounced on the main elevation. In this respect they are not unlike that other characteristically nineteenth century building, the corn exchange, where the structure is both a commercial undertaking and a symbol of civic pride.

The market hall at Louth in Lincolnshire exemplifies all these characteristics particularly well. It was built in 1866-7 by the Louth architects, Rogers and Marsden. This firm had a reasonably wide range of commissions including churches, church restoration, vicarages etc. With Louth market hall's facade they adopted a Byzantine Gothic style featuring a set-back, narrow, spired, clock tower (too narrow for me) between two flanking wings. The structure uses mainly red brick with stone and yellow brick details. The wings have shops at the base, a fine row of round-arched windows above with rather nice pointed dripmoulds lined by string-moulding. Below the gutter is a fine cornice, and the whole is topped by Welsh slate. One unusual feature of the facade - that doesn't work for me - is the fact that the main entrance is set so far back as to be lost in shadow: this de-emphasises it rather than drawing the eye.

The back of the building is quite a contrast, owing more to industrial buildings or train sheds than an acknowledged historical style. In some respects I like it more than the front. It's big, bold, functional, eye-catching in the narrow street, and has nice details, especially the two doors with their scroll hinges. The unadorned metal of the semi-circular window arch with its rivets showing is great, even if the scalloped wind-bracing at the corners of the rectangular window lights detracts from the industrial aesthetic.

photograph and text © Tony Boughen

Photo 1
Camera: Canon
Mode: Aperture Priority
Focal Length: 17mm
F No: f8
Shutter Speed: 1/20
ISO: 100
Exposure Compensation:  -1.0 EV
Image Stabilisation: N/A