click photo to enlarge
Benjamin Disraeli (1804-1881), a man who was on two occasions the prime minister of Great Britain, once said, "There are three types of lies - lies, damned lies and statistics". One of the implications of his remark is that statistics are not only frequently untrue, but are often deliberately used falsely. And yet, statistics can be very revealing because they can quantify, and therefore clarify, that which may be hidden or obscured. When they do this the revelation that they uncover can be startling.
Yesterday my newspaper reported a statistic that not only brought me up short, but made me feel extremely uncomfortable: in fact, made me feel ashamed to be part of our society. The charity, Oxfam*, has calculated that the total wealth of the five richest British families exceeds that of the poorest 20% of the population. In other words this, handful of rich people have more money and assets than the least well-off 12.6 million Britons. Could the starkness of that contrast, the iniquity of that inequality, the shame that it brings to every politician and law maker, and to every individual voter, be made without the force of that statistic? I would encourage anyone who reads that statistic and is as appalled by it as I am, to at the very least, remember it when elections come along; to cast their vote for the party that pledges to reduce inequality; to vote for those who will ensure the rich pay a greater share of their wealth to achieve that goal; and only endorse those determined that the poor and less well-off will receive a larger share of the national income.
I was recently in Canary Wharf. Along with the City of London (the financial district not the greater metropolitan area) this is one of the two centres of finance in the UK. It exudes wealth. From the up-market eateries to the private security guards, manicured gardens and spotless streets it speaks of money. What better to represent today's post than the gleaming steel and glistening glass of two of the many banks to be found there.
* In January 2014 Oxfam also reported that the 85 richest people in the world had more wealth and assets than the poorest half of the world's population!
photograph and text © Tony Boughen
Camera: Sony RX100
Mode: Aperture Priority
Focal Length: 10.4mm (28mm - 35mm equiv.)
F No: f5.6
Shutter Speed: 1/400 sec
ISO:125
Exposure Compensation: -0.3 EV
Image Stabilisation: On
Showing posts with label banks. Show all posts
Showing posts with label banks. Show all posts
Tuesday, March 18, 2014
Inequality
Labels:
banks,
Canary Wharf,
curtain wall,
glass,
inequality,
London,
politics,
stainless steel,
statistics
Monday, October 13, 2008
Canary Wharf thoughts
The fog that enveloped London early yesterday morning was the precursor to a beautiful, uplifting, sunny day with an unseasonal maximum temperature of 23° Celsius. But, as I walked along the south bank of the river at Rotherhithe, and the towers of Canary Wharf loomed up out of the mist, my mind was filled with darker thoughts. Along with the City of London, these buildings are the country's financial powerhouse - Citicorp, HSBC, Barclays, Lehman Brothers and others have their headquarters at Canary Wharf. Looking at them I couldn't help but see the fog that surrounded the towers, a fog that had swept in and enveloped them, but also was of their own making from their heating plants, as a metaphor for the financial turmoil that surrounds and penetrates most of these institutions.
However, my mind only allowed these thoughts to last for a moment, because the way the sunlight was falling on the buildings, turning them into amorphous masses, casting deep shadows that contrasted with the illuminated particles of water that filled the air, caused the name Hugh Ferris to surface in my consciousness. Among American architectural draughtsmen of the twentieth century Hugh Ferris (1889-1962) stands supreme. His charcoal, pencil and crayon perspectives of imagined and actual skyscrapers created romantic, almost Piranesian views, featuring towering mass, deep shadows, converging verticals, and the multiple step-backs of the early buildings. Ferris clearly saw drama, poetry and a vision of the future in the skyscrapers that were springing up in New York and Chicago.
Had the morning been clear and sunny I'd have looked at Canary Wharf and seen the buildings of organizations that once revelled in their omnipotence and omniscience but now crave state hand-outs. But the fog and the light allowed me to forget the troubles of the world for a while, and see it through the eyes of a visionary draughtsman. For that I was grateful.
Camera: Olympus E510
Mode: Aperture Priority
Focal Length: 24mm (48mm/35mm equiv.)
F No: f7.1
Shutter Speed: 1/2500
ISO: 100
Exposure Compensation: -1.7 EV
Image Stabilisation: On
However, my mind only allowed these thoughts to last for a moment, because the way the sunlight was falling on the buildings, turning them into amorphous masses, casting deep shadows that contrasted with the illuminated particles of water that filled the air, caused the name Hugh Ferris to surface in my consciousness. Among American architectural draughtsmen of the twentieth century Hugh Ferris (1889-1962) stands supreme. His charcoal, pencil and crayon perspectives of imagined and actual skyscrapers created romantic, almost Piranesian views, featuring towering mass, deep shadows, converging verticals, and the multiple step-backs of the early buildings. Ferris clearly saw drama, poetry and a vision of the future in the skyscrapers that were springing up in New York and Chicago.
Had the morning been clear and sunny I'd have looked at Canary Wharf and seen the buildings of organizations that once revelled in their omnipotence and omniscience but now crave state hand-outs. But the fog and the light allowed me to forget the troubles of the world for a while, and see it through the eyes of a visionary draughtsman. For that I was grateful.
photograph & text (c) T. Boughen
Camera: Olympus E510
Mode: Aperture Priority
Focal Length: 24mm (48mm/35mm equiv.)
F No: f7.1
Shutter Speed: 1/2500
ISO: 100
Exposure Compensation: -1.7 EV
Image Stabilisation: On
Labels:
architectural draughtsman,
banks,
Canary Wharf,
Docklands,
fog,
Hugh Ferris,
London,
River Thames,
towers
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