It's true that some excellent photographers have trodden this road. But many have produced good images from the outset, others have a body of work that has changed over time, and there are those who have always been eclectic. Ultimately, each photograph must be judged by the content circumscribed by its rectangular perimeter. If it's good it's good, regardless of whether it fits in with a wider body of work. Photography has been in existence for the last 160 years, and like the other arts has been thoroughly worked over by successive generations of practitioners. The extent to which anyone can produce anything startlingly original in photography is limited. But, startlingly good photographic work can be produced in specific locations, or within genres, or by re-working ideas, just as a musician might take the tried and tested sonata form (or the blues) and create something we can all admire.
These thoughts arose when I looked at my photograph of a shopper amongst the market canopies at Newark in Nottinghamshire. Today's Guardian newspaper carries a photograph that uses the same idea of individuality set in repeated uniformity - a child in a red scarf looking round in a mass of black-clad women in Iran. Now, to some this is a well-worn theme (a cliche even), but I think it bears successive iterations because of the subjects to which the idea can be applied. Original? No. Of interest. I think so. But then I like the blues!
photograph & text (c) T. Boughen
Camera: Olympus E510
Mode: Aperture Priority
Focal Length: 150mm (300mm/35mm equiv.)
F No: f6.3
Shutter Speed: 1/500
ISO: 100
Exposure Compensation: -0.3EV
Image Stabilisation: On
Camera: Olympus E510
Mode: Aperture Priority
Focal Length: 150mm (300mm/35mm equiv.)
F No: f6.3
Shutter Speed: 1/500
ISO: 100
Exposure Compensation: -0.3EV
Image Stabilisation: On