Swaledales and fashion

click photo to enlarge

Striding out on the limestone grasslands of the Craven uplands of North Yorkshire I was starting to feel sorry for the sheep. For the Swaledales in particular, the breed that is the mainstay of the local farms. A very dry spell of weather meant that the grass wasn't growing as lushly as it should have been in late May, and the animals were having to be fed supplements brought to them by shepherds on quad bikes. The temperature was unseasonally cold too, with a northerly wind causing me to don a jacket. The lambs looked to be faring quite well, their mothers' milk and what food there was stimulating the thick, curly fleece that offers very effective insulation against the bad weather. No, it wasn't the youngsters that I was concerned about, it was the ewes. Quite a number of them had fleeces that were dropping off their backs, hanging down in rags, the missing pieces blowing about among the nardus grass or caught on the drystone walls and barbed wire. Sheep shearing in the Dales usually starts at the end of May. Had it been postponed due to the weather, I wondered, or was there some other reason for the dishevelled look of the local inhabitants?

Then it struck me. Perhaps this wasn't a case of shearing delayed, but was a matter of sartorial choice on the part of the Swaledales. Could it be that a quirk of the evolutionary process was causing them to follow the precedents of some of the higher life forms who pass their way; in particular the fashionably dressed youngsters on outdoor pursuits courses, or those dragged on to the hills by enthusiastic parents (my children know that of which I speak). The sheep must have seen the ripped jeans, stonewashed shirts, artificially distressed jumpers and artfully revealed midriffs, and thought, "At last, the humans have a fashion that we can copy!" Either that or they're taking the rip and having a good laugh at our expense. What do you think?

photograph & text (c) T. Boughen

Camera: Olympus E510
Mode: Aperture Priority
Focal Length: 83mm (166mm/35mm equiv.)
F No: f5.6
Shutter Speed: 1/250
ISO: 100
Exposure Compensation: -0.3 EV
Image Stabilisation: On

Not so typical after all

click photo to enlarge
A typical English rural scene on an overcast March day in Leicestershire - in the foreground sheep and lambs feed on lush, green grass; in the background, a small village (King's Norton) with a huddle of Georgian and later brick houses, in the centre of which stands a Gothic church; whilst in the middleground, on the hillside pasture surrounded by trees and hedges is a herd of alpacas. Alpacas? In England? Well, yes, an increasingly common sight. Not usually this many: more often it's two or three. But gone are days when I was surprised to round a bend and be confronted by these Andean camelids - they are taking up residence in many corners of our fair land.

Seeing a herd of this size prompted me to find out just why the numbers are increasing in England. It seems that many are "hobby" animals in much the same way that horses, goats and exotic pigs are: that is to say, they are kept for their "cute" appeal. Larger herds - perhaps this one - are kept for the wool that they produce which is sought after as a clothing material. Ah well, each to their own I suppose!

But, the alpacas aren't the only un-English feature of this photograph. The church, which looks like a medieval or Victorian Gothic building was actually completed in 1761, an astonishingly early date for an example of Gothic Revival: most churches of that period had classical forms and details. It was designed by the younger John Wing with an eye for historical accuracy that is almost unprecedented at that time. If anything gives away the fact that it's not medieval Gothic, in this view, it is the relatively tall nave, the absence of a break to signify the chancel, and the outline of the tower.

So, not typical at all. In fact a rather unusual rural scene to encounter on a dull March day, but an interesting one I think.

photograph & text (c) T. Boughen

Camera: Olympus E510
Mode: Aperture Priority
Focal Length: 102mm (204mm/35mm equiv.)
F No: f6.3
Shutter Speed: 1/320 seconds
ISO: 100
Exposure Compensation: -0.7 EV
Image Stabilisation: On