Early autumn mist

click photo to enlarge
We've just experienced the first real mist of early autumn in this part of Lincolnshire. As I looked out of the bedroom window it was clear that it wasn't one of the thin, wispy mists that have struggled to make an appearance recently, but was what used to be called "a real pea-souper". That left me with a dilemma: to have breakfast then go out with the camera, risking that it might have dissipated by then, or to go straight out and be sure to catch it. I chose the first option and was glad I did.

Over the years I've found the best time for photographing in mist and fog is often at the point when the early morning sun is just beginning to burn it off. Not only does that offer a range of densities of mist and fog, with some objects being more revealed than others, but the presence of a watery sun can inject warm colours and increase the contrast available. Today's photograph benefits from that effect in the lower left corner, lifts the mood slightly and stops the image from being too "cold".

Over the years some of my best photographs have come from situations where early morning mist has offered a "different" view of what I otherwise might consider to be a familiar subject - as with this yacht, this view of Canary Wharf, this lane in Yorkshire and these three trees.

photograph and text © Tony Boughen

Camera: Sony RX100
Mode: Aperture Priority
Focal Length: 25.9mm (70mm - 35mm equiv.)
F No: f5.6
Shutter Speed: 1/100
ISO: 125
Exposure Compensation:  -0.3 EV
Image Stabilisation: On

The Institute, Deeping St James

click photo to enlarge
As I passed this Victorian building on Church Street, at Deeping St James in Lincolnshire, two thoughts crossed my mind. The first was, "That's an interesting way of dressing up a facade." The second concerned the wire that stretches from the top left to the centre, then drops down to disappear into a hole above the doorway. It occurred to me that it had been positioned with all the sensitivity of a tattoo on the end of a person's nose.

I photographed the building, known as "The Institute", mainly because of the unusual yellow brickwork designs that form both the quoins to the left and right, and the surrounds for the tall windows and the door. However, once I'd got my photograph onto the computer, had corrected the converging verticals, and began to study the facade, a lot more details caught my eye, and quite a few questions came to mind. For example, why did the builder or architect place a large piece of stone at the bottom left and bottom right corners? Why did he use stone for the sills of the three windows rather than wrapping the brickwork surrounds underneath? Why does his design for the "shoulders" of the door surround differ from those of the windows? Why is the band of yellow brickwork that crosses the facade at the level of the window sills flush with the wall and hence barely visible?

The building's style borrows from that of a church or chapel (tall and pointed openings), and from classical precedents (the brick plinth, quoins and hints of "Gibbs surrounds" in the work around the windows and doorway). It is Classical too in its severe symmetry: note that even the bootscrapers are doubled up, one on each side of the door, lest the building become even slightly unbalanced. The use, almost exclusively, of brick, and the vernacular touch of a dog-tooth corbel just below the eaves, betrays its provincial origins, lower cost, and lower status. Despite its relatively elaborate decoration it is still quite a utilitarian building. I haven't been able to find out much about its origins. Was it always an Institute? Was it a non-conformist chapel originally? Whatever its past, its present includes housing the Parish Council of Deeping St James, and offering more than a little interest and intrigue to passers-by who care to stop and stare.

photograph & text (c) T. Boughen

Camera: Olympus E510
Mode: Aperture Priority
Focal Length: 11mm (22mm/35mm equiv.)
F No: f6.3
Shutter Speed: 1/640
ISO: 100
Exposure Compensation: -0.3 EV
Image Stabilisation: On