Time-worn stone steps

click photo to enlarge
There are few things that indicate the passage of time better than worn steps. To gaze upon stone (or even wooden) steps that have been eroded into concavity by the repeated passage of hundreds, or more likely thousands of feet, is to experience a tangible understanding of years becoming decades and decades becoming centuries.

On my first visit to Wells Cathedral many years ago I made a point of having a look at the chapter house's stone stairway. I knew this from an architectural photograph by the English photographer, Frederick Henry Evans (1853-1943). The undulations in these stairs made by myriad feet add to the beauty of the shot and give it a quality that it would otherwise lack. The "sea of steps" makes you think of the people who have walked up and down them.

I've photographed steps regularly during my life though never with the success achieved by Evans in his shot. On one occasion, however, I took a shot of steel steps, but with added son's added feet and deliberate blur, and result became one of my favourite images. On our recent visit to Bolsover Castle I tried this subject again but this time without blur and  with time-worn steps. The result doesn't please me as much as my earlier shot with feet but I think it's not entirely without interest.

photograph and text © Tony Boughen

Camera: Nikon D5300
Mode: Aperture Priority
Focal Length: 32mm (48mm - 35mm equiv.)
F No: f8
Shutter Speed: 1/30 sec
ISO:6400
Exposure Compensation: 0 EV
Image Stabilisation: On

Sandstone semi-abstract

click photo to enlarge
Today's post manages to encapsulate two of my recent themes. It is an "incidental" shot taken at Bolsover Castle. Not one of the obvious architectural photographs that such a place inspires, but a detail, a "photographer's shot" if you will. It is also semi-abstract which I recently described as one of the genres I often return to when I'm trying to get back into the "groove" with my photography.

The stone is part of the moulding (architrave) of a doorway made in the seventeenth century. The figuring in the stone reminds me of the burr and strong grain that characterises some woods. However, when I first saw it the first word to come to mind was "landscape". The curves, shading and lines remind me of Japanese watercolour landscapes of the sort that Hokusai and Hiroshige produced. All it requires is a few trees, a wooden bridge, a river winding its way between the hills, and a few people going about their work and it's there. It's the sort of piece of stone that you can get lost in, in much the same way that as children we often dive into the landscapes, faces and more in wallpaper and curtain fabrics. I've noticed such landscapes in trees, with silver birch being the best at suggesting them.

photograph and text © Tony Boughen

Camera: Nikon D5300
Mode: Aperture Priority
Focal Length: 100mm (150mm - 35mm equiv.)
F No: f8
Shutter Speed: 1/60 sec
ISO:640
Exposure Compensation: 0 EV
Image Stabilisation: On 

Doorways and light

click photo to enlarge
On a return journey from the Yorkshire Dales we called in at Bolsover Castle, a structure of medieval foundation with much that stands dating to the seventeenth century. English castles are often quite imposing and this one is no exception. Its location, along the brow of a hill, is very impressive and both the exterior and interior of the main structure offer the photographer many interesting subjects.

However, when I review photographs that I take at such locations I often find that the "standard" shots - views, towers, battlements, doorways, interior decoration etc. leave me, photographically speaking, somewhat cold. I think that what happens is, my interest in architecture too often gets in the way of my photographer's eye. Fortunately it doesn't completely blind me and I always manage to get a few shots that are composed solely for their more photographic qualities. Invariably these are the ones I like best.

Today's photograph was taken for two main reasons: the muted colours and the way the light was falling. It shows some of the seventeenth century interior design, but in a dark setting and shadows with the doorway providing the highlight. I particularly liked the way the angles of both the room and the light related to the portrait format frame of the viewfinder.

photograph and text © Tony Boughen

Camera: Nikon D5300
Mode: Aperture Priority
Focal Length: 26mm (39mm - 35mm equiv.)
F No: f8
Shutter Speed: 1/40 sec
ISO:3600
Exposure Compensation: 0 EV
Image Stabilisation: On